all the giants topple when I stomp

marianne. twenty-five. born and raised in ireland, living in oxford. still waiting for my letter from hogwarts and/or my dormant superpowers to manifest. expect lotr, adventure time, avatar: the last airbender & legend of korra, pokémon, samurai jack, game of thrones, big barda, young justice, teen titans, studio ghibli, zelda, tea, tattoos, bears, owls, and the finest cats the internet has to offer. anything else, you can just ask.

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Sep 30
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why i am not afraid to take your money, by amanda fucking palmer

amandapalmer:

aie!

i had two conversations within the last 24 hours which made me feel like blogging about this.

one was with jason webley, who i’ve been living with for the past week in the Middle of Nowhere.

i was writing a press release and in it disclosed how much money i made from the recent london webcast (about 10k).
i gave a copy of the text to jason to proofread over a cup of tea (that’s what rock stars do for each other nowadays instead of leaving lines of blow on the backs of bathroom toilets).
he suggested taking the money part out. he gently advised; he’s heard people gossiping about me and my shameless revelations about my webcast/twitter income etc.

right around the same time i got an email from beth, regarding the future of my webcasting.
she suggested we do something totally free and not ask people for any money.
she’s been picking up on heat from people that the ask-the-fans-for-money thing has gotten out of control.

listen.

artists need to make money to eat and to continue to make art.

artists used to rely on middlemen to collect their money on their behalf, thereby rendering themselves innocent of cash-handling in the public eye.

artists will now be coming straight to you (yes YOU, you who want their music, their films, their books) for their paychecks.
please welcome them. please help them. please do not make them feel badly about asking you directly for money.
dead serious: this is the way shit is going to work from now on and it will work best if we all embrace it and don’t fight it.

unless you’ve been living under a rock, you’ve surely noticed that artists ALL over the place are reaching out directly to their fans for money.
how you do it is a different matter.
maybe i should be more tasteful.
maybe i should not stop my concerts and auction off art.
i do not claim to have figured out the perfect system, not by a long shot.

BUT … i’d rather get the system right gradually and learn from the mistakes and break new ground (with the help of an incredibly responsive and positive fanbase) for other artists who i assume are going to cautiously follow in our footsteps. we are creating the protocol, people, right here and now.

i don’t care if we fuck up. i care THAT we’re doing it.

in fact, i ENJOY being the slightly crass, outspoken, crazy-(naked?)-chick-on-a-soapbox holding out a ukulele case of crumpled dollars asking for your money so that someone else a few steps behind me, perhaps some artist of shy and understated temperament, can feel better and maybe a little less nervous when they quietly step up and hold out their hat, fully clothed.

i am shameless, and fearless, when it comes to money and art.

i can’t help it: i come from a street performance background.
i stood almost motionless on a box in harvard square, painted white, relinquishing my fate and income to the goodwill and honor of the passers-by.

i spent years gradually building up a tolerance to the inbuilt shame that society puts on laying your hat/tipjar on the ground and asking the public to support your art.

i was harassed, jeered at, mocked, ignored, insulted, spit at, hated.
i was also applauded, appreciated, protected, loved….all by strangers passing me in the street.
people threw shit at me.
people also came up to me and told me that i’d changed their lives, brightened their day, made them cry.

some people used to yell “GET A FUCKING JOB” from their cars when they drove by me.
i, of course, could not yell back. i was a fucking statue, statues do not yell.



i did this for 5 years, and i made a living that way.
dollar by dollar.
hour by hour.
it was hard fucking work.

and for the last 10 years, i have been working my ass off in a different way: tirelessly making music, traveling the world, connecting with people, trying to keep my balance, almost never taking a break and, frankly, not making a fortune doing it. i still struggle to pay my rent sometimes. i’m still more or less in debt from my last record. i’ll lay it all out for you in another blog. it’s just math.

if you think i’m going to pass up a chance to put my hat back down in front of the collected audience on my virtual sidewalk and ask them to give their hard-earned money directly to me instead of to roadrunner records, warner music group, ticketmaster, and everyone else out there who’s been shamelessly raping both fan and artist for years, you’re crazy.

it’s also not a matter of whether an artist is starving or cruising on a yacht.
i would hate to see my fans turn on me once i actually have money in the bank with a “well, i would support you if you were starving, but now that you’re eating, no way.”
fuck that.
accept a new system.
feel ok about giving your money directly to paul mccartney. he may be rich, but he still rocks. show you care.
feel ok about giving it to fucking lady gaga if you’ve been guiltily downloading her dance tracks for free.
rejoice in the fact that you are directly responsible for several threads in her new spandex spacesuit.
it shouldn’t matter.
it’s about empowerment and it’s about SIMPLICITY: fan loves art, artist needs money, fan gives artist money, artist says thank you.

the critics are welcome to criticize.
they do not have to attend the party.
and even if they attend the party with rolling eyes, they will not be charged.
they will be hugged, they will be accepted and entertained, and they will not be given the hairy eyeball if they leave the room without tipping.
chances are they’ll tell a friend about the next party, and their friend will probably leave a dollar. and tell someone else.

taking my stand as a virtual street performer is the best thing that’s happened to my career and i revel in it.
and i love bringing people along for the ride.

i believe in the future of cheap art, creative enterprise, and an honorable public who will put their money where there mouth is, or rather, their spare change where their heart is.



can i get a fucking amen?

LOVE

afp

I back this so hard. G’wan Amanda Palmer. It’s about time artists started cutting out the fucking middle men.

  1. stayandchewthefat reblogged this from colorschanging and added:
    ^ Pretty much. If she really can’t afford a permanent quartet, that’s fine. But it doesn’t mean she should bring people...
  2. mostlygoesastray reblogged this from karnythia and added:
    So it’s not okay for HER to work without getting paid, but it’s awesome that she’s only willing to pay her backup bands...
  3. thegoodlady reblogged this from karnythia
  4. polyphonicpeacock reblogged this from troubledsigh and added:
    Bolded for hilariously blatant white saviour-in’
  5. colorschanging reblogged this from karnythia and added:
    You know… I supported her Kickstarter, because I like at least some of her music, and because I think musicians should...
  6. troubledsigh reblogged this from karnythia and added:
    wow. just wow.
  7. karnythia reblogged this from the-tripper and added:
    (via amandapalmer) Hey popelizbet, here’s the whole thing!
  8. popelizbet reblogged this from thingsstingshouldsing and added:
    now she’s deleted the post. anyone got a link that works?
  9. thingsstingshouldsing reblogged this from tinyorc and added:
    The irony is delicious.
  10. briandanielwolf reblogged this from amandapalmer and added:
    Good read for today. Reminds me exactly why I’m doing what I’m doing.
  11. aceofpeace reblogged this from amandapalmer
  12. spytap reblogged this from zadi
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